Revised 07/28/2011
4
HOUSE MIX POSITION
Com at house mix has only one channel, which may be accessed at a time. The house mix
position in the Discovery is 6 ft. deep by 8.5 ft. wide. It is located approximately 35 ft. from the lip of
the stage at orchestra level and there are no obstructions between FOH mix engineer and any FOH
speaker. The space needed for the house mix position normally negates 8 seats. Depending on your
mix console requirements, amount of process gear, and drive racks, some seats immediately
surrounding the mix position may become "obstructed view" seats.
There are a total of (24) hardwired mic lines available at the mix position. These mic lines
terminate in a custom-made multi pin connector at a panel to which you connect the house 24 send
XLR fan. The house mix panel also has XLR output connectors to main (1) cluster, (4) XLR aux
outputs, (4) XLR outputs to stack positions, and (2) XLR outputs to fold back. There are also (1) 6 in.
conduits with pull lines, which run from house mix to outside orchestra right door. This conduit run is
approximately 60 ft. long. A (12) send Canare snake lives in one of them. As an alternative, there
are several usable routes from stage to house mix for you to run your custom show harness through
the house.
Power to house mix consists of (3) 20 amp circuits. Two of these are dedicated audio power,
and one is common building power.
There are total of (4) channels of Clear. Only one of these channels may be used at a time.
STAGE MANAGERS RACK
Audio Stage manager rack (1AS) is permanently located DSR. It contains a Clearcom MS-808
4-channel intercom, QSC 1200 monitor amp, patch bay, and an aux input panel, 8 balanced tie lines
to all other stage and pit boxes, and Mic inputs 1 thru 24. The mono output from the WR-M10 in this
rack is connected to the main cluster thru a system-summing amp. House mix desk provides
phantom voltage when monitor mixer is in use.
FX MONITORS
All FX Power Amps are in a separate amp rack room. This is also the location of all under mezzanine,
aux system power amps, and FX power amps. There are a total of (4) FX QSC 1400 power amps.
The FX amps are used for running passive crossover stage monitors. The FX amp input can be fed
from fold back buss 1 or 2, or an independent input. The list of monitors available from our inventory
includes: (12) Meyer Wedges USM-100P HF with 1.4” Throat, 3” Diaphragm Compression Driver,
LF 15” Cone Driver and a 700 Watts Amplifier, (1) Subwoofer Meyer USW-1P with 2) 15” Cone
Drivers and a 700 Watts Amplifier.
The (8) custom built bi-amp floor wedges model 152 w/(1) 15” JBL 2225H cone and (1) 2” JBL
2445J horn driver on a JBL 2380A horn in each box run with an external JBL 3110A external
crossover, (6) custom built floor wedges model 121 w/ (1) 12" JBL 2204H cone, (1) 1" JBL 2344A
horn with a JBL 2426H driver, (2) JBL 4825 floor wedges w/crossover and (4) JBL 4406 studio
monitors.
AUDIO POWER
There is a 100 amp three-phase service dedicated for audio use located on the SL wall. Below
the service, house has installed a 50-amp dual-phase Hubbell connector as a feeder for a Hubbell
spider. The feeder cable for spider is 50 ft. long. The spider has (2) 20amp twist lock outlets and (6)
20 amp Edison outlets.
For those companies needing to use their own power distribution system, there is a (1) 400-
amp three-phase company switch on the SR wall.
(12 strony)
(1 strony)
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